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Edward Hopper
Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. But his vision of reality was a selective one, reflecting his own temperament in the …
Nighthawks, 1942 by Edward Hopper
Nighthawks is a 1942 painting by Edward Hopper that portrays people sitting in a downtown diner late at night. It is Hopper's most famous work and is one of the most recognizable paintings in …
Edward Hopper Boigraphy
In Hopper's most iconic painting, Nighthawks, four customers and a waiter inhabit the brightly lit interior of a city diner at night. They appear lost in their own weariness and private concerns, …
Edward Hopper Paintings
Cobb's Barn and Distant Houses. Summer Interior. Girlie Show
The Long Leg, 1935 by Edward Hopper
Hopper's The Long Leg, 1935 is a nearly all-blue sailing picture with the simplest of elements, while his Ground Swell, 1939 is more complex and depicts a group of youngsters out for a sail, …
Seven A.M. 1948 by Edward Hopper
Seven A.M. 1948 by Edward Hopper. It is seven in the morning, and the store has yet to open. But perhaps it never will, having been abandoned long ago. There are no goods in the window, …
Summer Evening, 1947 by Edward Hopper
Summer Evening, 1947 by Edward Hopper. What distinction did Hopper draw between work and leisure? Comparing Office at Night with Summer Evening, it would appear that he made little …
Two Comedians, 1965 by Edward Hopper
Two Comedians, 1965 by Edward Hopper. At age eighty-three Hopper painted Two Comedians, which he intended as a personal statement, a farewell of sorts. As Jo later confirmed, the …
The Lee Shore, 1941 by Edward Hopper
Painted in the fall of 1928, a watershed year for Hopper both creatively and critically, The Lee Shore embodies the haunting drama and quiet tension that characterize the artist's best work. …
Room in New York, 1932 by Edward Hopper
Room in New York, 1932 by Edward Hopper. Throughout his life Hopper stated that his art was not an exact transcription of nature; it was a condensation of many scenes and impressions. …
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